Producers: Didier Brunner, Damien Brunner, Gaëtan David and André Logie Director: Tanguy de Kermel Screenplay: Jean Regnaud, Valérie Magis and Nigel Palmer Cast: Tucker Chandler, Lily Sanfelippo, Dino Andrade, Michael Yurchak, Connor Elias Andrade, Faith Graham, Michelle Deco, Evan Smith, Cam Clarke, Karen Strassman, Kellen Goff and Addie Chandler Distributor: Blue Fox Entertainment
For a movie that celebrates laughter as the key to happiness, “SamSam” provides very little of it. A feature based on a popular series of French children’s books by Serge Bloch, which previously spawned a successful television series, the picture’s colorful animation will probably keep very young viewers engaged, and their parents will appreciate its benign messages, but it’s very bland kiddie fodder.
In what seems an origins episode, little Sam (voiced in this English version by Tucker Chandler), who lives on the planet Sam and so is called SamSam, spends his days flying around in his petite saucer, accompanied by his dour Teddy Bear (Michael Yurchak). He also plays with the other kids, but there’s a problem: Sam is a planet of folks with superpowers, and though the other kids his age have already gotten theirs, Sam hasn’t. That makes him the odd kid out.
On the nearby planet of Marchel, another child has a problem. It’s Mega (Lily Sanfelippo), the daughter of the tyrannical King Marthy (Dino Andrade), a despot who aims, with the help of a mad scientist (Cam Clarke), to expunge laughter from Sam. She’s unhappy because both her parents have unwelcome plans for her. Marthy wants her to go to dictator school, while her mother Lady Fathola (Michelle Deco) insists that she become an opera singer.
Deeply unhappy, Mega drives her speedy spaceship past her father’s ring of planetary defenses into the outer world, where she meets SamSam and the two become friends. He’ll help her win acceptance into the Sam bunch of kids—by teaching her to dance, for example—and she’ll help him find his superpower. In fact, she’ll pull a fast one on him, using a gizmo from her father’s lab that allows monsters to be turned to confetti, but that will come in handy when the mad scientist does in fact invent a Gloomyglob Monster that threatens to fulfill King Marthy’s evil plan.
There are complications, of course. At one point SamSam is captured and made to cry—providing the child’s tear needed to rev up his monster. At another Mega is affected by the monster and turned into a gloomy girl. And, of course, we’ll find out why Marthy is such a meanie, the explanation reaching back into his childhood. But not to worry, everything turns out well, with friendship being recognized as SamSam’s superpower and laughter serving as the tool that saves Sam from becoming an unhappy place.
“SamSam” is inoffensive but never especially energetic or fun. The computer-generated animation is reasonably good if unexceptional, but the characters don’t have an awful lot of personality, and the voice work is just average. Even King Marthy, who should possess a real spark, isn’t especially distinctive either in design or delivery. And the lumbering monster that chases everyone around in the last half-hour gets to be rather a drag, with his single-word vocabulary (it’s “Confetti!”). As for SamSam himself, he’s sort of a genial bore. Nowadays there are a few exceptional animated movies, and a vast army of mediocre ones. “SamSam” belongs among the latter.